A SKI RESORT IN VAL THORENS

Elsa is interested in habitats, particularly our relationships with place and the different ways we choose to inhabit spaces. For Le Fitz Roy, she created an inventory in blue ink of the Megève region’s pitons, trees, and rope knots.

Antoine Ricardou, Clémentine Larroumet, and their teams have been with Beaumier since the beginning. With a desire to “bring meaning to spaces, identities and visual stories”, they aim to create “a different, more sensitive, less perfect vision of luxury”.

The heart of Pascal’s work is a visual interrogation of memory and time. For the lobby at Le Fitz Roy, he created a monumental collection of 20 meticulous ink drawings of Alpine landscapes, which resemble engravings.

Architects Vicky and Julia had a simple concept for Le Fitz Roy: “Offer unequalled sumptuousness and comfort.”

The herbarium at Le Fitz Roy, says Gwenaëlle, “began with the idea of showcasing whole plants, root to tip. All were picked in Alpine pastures at 1,400 metres altitude. I wanted to being plants inside the hotel, where rock dominates, to show how much these mountain plants are worthy of our attention”.

In 2017, Victoire, her brother and mother walked part of the Tour du Mont Blanc trail. Over four days, she methodically photographed mountains, crags and other peaks. Upon her return, she realized that these natural features were like a portrait of her father, who had died a few years earlier. The resulting work, When the Mountain Took the Place of My Father, is her tribute to him.

In their workshop, Romain and Paul create limited-edition and unique pieces of furniture and sculpture. For Le Fitz Roy, they designed and created timeless textured plates that reflect the surrounding peaks.